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	<title>dPhotoexpert &#187; Tests / Reviews</title>
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		<title>Nikon D3S video: dark, rain and wind 400mm f/2.8</title>
		<link>http://www.dphotoexpert.com/2009/11/25/nikon-d3s-video-dark-rain-and-wind-400mm-f2-8/</link>
		<comments>http://www.dphotoexpert.com/2009/11/25/nikon-d3s-video-dark-rain-and-wind-400mm-f2-8/#comments</comments>
		<pubDate>Tue, 24 Nov 2009 23:22:41 +0000</pubDate>
		<dc:creator>David Kilpatrick</dc:creator>
				<category><![CDATA[Techniques]]></category>
		<category><![CDATA[Tests / Reviews]]></category>
		<category><![CDATA[D3S]]></category>
		<category><![CDATA[dark]]></category>
		<category><![CDATA[digital]]></category>
		<category><![CDATA[HD]]></category>
		<category><![CDATA[ISO]]></category>
		<category><![CDATA[night]]></category>
		<category><![CDATA[Nikon]]></category>
		<category><![CDATA[SLR]]></category>
		<category><![CDATA[test]]></category>
		<category><![CDATA[video]]></category>

		<guid isPermaLink="false">http://www.dphotoexpert.com/?p=561</guid>
		<description><![CDATA[As part of my tests of the Nikon D3S (British Journal, report in December, with additional material by Richard Kilpatrick who is shooting with Nikon on November 25th at a press event) I dragged the £6,000 400mm f/2.8 AF-S IF ED G supertele into the rain as darkness gradually forced the ISO up from a [...]]]></description>
		<wfw:commentRss>http://www.dphotoexpert.com/2009/11/25/nikon-d3s-video-dark-rain-and-wind-400mm-f2-8/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Kodachrome reaches frame 39 &#8211; the end</title>
		<link>http://www.dphotoexpert.com/2009/06/22/kodachrome-reaches-frame-39-the-end/</link>
		<comments>http://www.dphotoexpert.com/2009/06/22/kodachrome-reaches-frame-39-the-end/#comments</comments>
		<pubDate>Mon, 22 Jun 2009 11:42:55 +0000</pubDate>
		<dc:creator>David Kilpatrick</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Nostalgia Zone]]></category>
		<category><![CDATA[Press Releases]]></category>
		<category><![CDATA[cessation]]></category>
		<category><![CDATA[colour]]></category>
		<category><![CDATA[dead]]></category>
		<category><![CDATA[deceased]]></category>
		<category><![CDATA[demise]]></category>
		<category><![CDATA[departed]]></category>
		<category><![CDATA[discontinue]]></category>
		<category><![CDATA[end]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[gone]]></category>
		<category><![CDATA[graveyard]]></category>
		<category><![CDATA[knacker's yard]]></category>
		<category><![CDATA[Kodachrome]]></category>
		<category><![CDATA[Kodak]]></category>
		<category><![CDATA[parrot]]></category>
		<category><![CDATA[put out to pasture]]></category>
		<category><![CDATA[redundant]]></category>
		<category><![CDATA[retired]]></category>
		<category><![CDATA[slide]]></category>
		<category><![CDATA[snuffed it]]></category>
		<category><![CDATA[transparency]]></category>
		<category><![CDATA[unwanted]]></category>

		<guid isPermaLink="false">http://www.dphotoexpert.com/?p=468</guid>
		<description><![CDATA[LONDON UK, June 22, 2009 – Eastman Kodak Company announced today that it will retire KODACHROME colour film this year, concluding its 74-year run as a photography icon.
Sales of KODACHROME Film, which became the world’s first commercially successful colour film in 1935, have declined dramatically in recent years as photographers turned to other, newer KODAK [...]]]></description>
		<wfw:commentRss>http://www.dphotoexpert.com/2009/06/22/kodachrome-reaches-frame-39-the-end/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>Nikon D5000 short film with pull focus</title>
		<link>http://www.dphotoexpert.com/2009/06/04/nikon-d5000-short-film-with-pull-focus/</link>
		<comments>http://www.dphotoexpert.com/2009/06/04/nikon-d5000-short-film-with-pull-focus/#comments</comments>
		<pubDate>Thu, 04 Jun 2009 09:56:50 +0000</pubDate>
		<dc:creator>David Kilpatrick</dc:creator>
				<category><![CDATA[Techniques]]></category>
		<category><![CDATA[Tests / Reviews]]></category>
		<category><![CDATA[720p]]></category>
		<category><![CDATA[D5000]]></category>
		<category><![CDATA[DSLR]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[HD]]></category>
		<category><![CDATA[iMovie]]></category>
		<category><![CDATA[movie]]></category>
		<category><![CDATA[Nikon]]></category>
		<category><![CDATA[sample]]></category>
		<category><![CDATA[video]]></category>

		<guid isPermaLink="false">http://www.dphotoexpert.com/?p=459</guid>
		<description><![CDATA[Though autofocus is not possible with live video in any current true DSLR (the Panasonic GH1 promises this) it is possible to use pull-focus effects with a little planning. We now have a Nikon D5000 &#8211; it won the competition for best fine image detail when comparing results frame by frame with Canon&#8217;s nominally higher [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Sigma’s DP2 &#8211; Camera less obscure</title>
		<link>http://www.dphotoexpert.com/2009/05/21/sigma%e2%80%99s-dp2-camera-less-obscure/</link>
		<comments>http://www.dphotoexpert.com/2009/05/21/sigma%e2%80%99s-dp2-camera-less-obscure/#comments</comments>
		<pubDate>Thu, 21 May 2009 12:40:09 +0000</pubDate>
		<dc:creator>Richard Kilpatrick</dc:creator>
				<category><![CDATA[Tests / Reviews]]></category>
		<category><![CDATA[camera]]></category>
		<category><![CDATA[compact]]></category>
		<category><![CDATA[digital]]></category>
		<category><![CDATA[DP2]]></category>
		<category><![CDATA[Foveon]]></category>
		<category><![CDATA[pocket]]></category>
		<category><![CDATA[rangefinder]]></category>
		<category><![CDATA[sensor]]></category>
		<category><![CDATA[Sigma]]></category>
		<category><![CDATA[X3F]]></category>

		<guid isPermaLink="false">http://www.dphotoexpert.com/?p=422</guid>
		<description><![CDATA[
Sigma’s DP1 was launched in 2007 (with production models available in 2008) to great critical acclaim. occupying a unique spot in the marketplace by combining an APS-C format sensor with a compact “point and shoot” style body. There were a few controversial design choices, and the user and reviewer feedback varied greatly with the time [...]]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Kelso Races &#8211; D5000 freehand with 70-300mm VR</title>
		<link>http://www.dphotoexpert.com/2009/05/06/kelso-races-d5000-freehand-with-70-300mm-vr/</link>
		<comments>http://www.dphotoexpert.com/2009/05/06/kelso-races-d5000-freehand-with-70-300mm-vr/#comments</comments>
		<pubDate>Wed, 06 May 2009 20:52:40 +0000</pubDate>
		<dc:creator>David Kilpatrick</dc:creator>
				<category><![CDATA[Techniques]]></category>
		<category><![CDATA[Tests / Reviews]]></category>
		<category><![CDATA[70-300mm]]></category>
		<category><![CDATA[action]]></category>
		<category><![CDATA[D5000]]></category>
		<category><![CDATA[HD]]></category>
		<category><![CDATA[microphone]]></category>
		<category><![CDATA[Nikon]]></category>
		<category><![CDATA[noise]]></category>
		<category><![CDATA[panning]]></category>
		<category><![CDATA[sound]]></category>
		<category><![CDATA[video]]></category>
		<category><![CDATA[wind]]></category>

		<guid isPermaLink="false">http://www.dphotoexpert.com/?p=406</guid>
		<description><![CDATA[The wind noise has made filming with the D5000 almost impossible for the last few days, because it has been very windy. Simple as that. So I devised a popshield or wind sock for the tiny microphone by cutting a piece of red nyloop fabric from a pad which once belonged in the bottom of [...]]]></description>
		<wfw:commentRss>http://www.dphotoexpert.com/2009/05/06/kelso-races-d5000-freehand-with-70-300mm-vr/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Nikon D5000 HD video &#8211; May Day evening</title>
		<link>http://www.dphotoexpert.com/2009/05/01/nikon-d5000-hd-video-may-day-evening/</link>
		<comments>http://www.dphotoexpert.com/2009/05/01/nikon-d5000-hd-video-may-day-evening/#comments</comments>
		<pubDate>Fri, 01 May 2009 19:58:47 +0000</pubDate>
		<dc:creator>David Kilpatrick</dc:creator>
				<category><![CDATA[Features]]></category>
		<category><![CDATA[Tests / Reviews]]></category>
		<category><![CDATA[D5000]]></category>
		<category><![CDATA[HD]]></category>
		<category><![CDATA[Nikon]]></category>
		<category><![CDATA[SLR]]></category>
		<category><![CDATA[test]]></category>
		<category><![CDATA[video]]></category>

		<guid isPermaLink="false">http://www.dphotoexpert.com/?p=399</guid>
		<description><![CDATA[True to promise, the Nikon D5000 did become available on May 1st in the UK, and my review camera turned up mid-day in time to be photographed and have its battery charged. Taking it out on my walk to the post (regrettably, to send in large sums of VAT and tax&#8230;) the sun came out [...]]]></description>
		<wfw:commentRss>http://www.dphotoexpert.com/2009/05/01/nikon-d5000-hd-video-may-day-evening/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Canon EOS 500D video test</title>
		<link>http://www.dphotoexpert.com/2009/04/29/canon-eos-500d-video-test/</link>
		<comments>http://www.dphotoexpert.com/2009/04/29/canon-eos-500d-video-test/#comments</comments>
		<pubDate>Wed, 29 Apr 2009 14:56:50 +0000</pubDate>
		<dc:creator>David Kilpatrick</dc:creator>
				<category><![CDATA[Tests / Reviews]]></category>
		<category><![CDATA[camera]]></category>
		<category><![CDATA[Canon]]></category>
		<category><![CDATA[clip]]></category>
		<category><![CDATA[D-MOV]]></category>
		<category><![CDATA[DSLR]]></category>
		<category><![CDATA[EOS 500D]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[HD]]></category>
		<category><![CDATA[HDMI]]></category>
		<category><![CDATA[HDSLR]]></category>
		<category><![CDATA[HDTV]]></category>
		<category><![CDATA[movie]]></category>
		<category><![CDATA[SLR]]></category>
		<category><![CDATA[test]]></category>
		<category><![CDATA[vid]]></category>
		<category><![CDATA[video]]></category>

		<guid isPermaLink="false">http://www.dphotoexpert.com/?p=395</guid>
		<description><![CDATA[The clip originally shown here has been replaced by an edited selection, shot in a mixture of 1080 and 720 modes, assembled using iMovie and written as a 720p final project for YouTube. Don&#8217;t mean to cause confusion, some visitors may have linked to this post already, and I do not want to add another [...]]]></description>
		<wfw:commentRss>http://www.dphotoexpert.com/2009/04/29/canon-eos-500d-video-test/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Sekonic&#8217;s camera calibration</title>
		<link>http://www.dphotoexpert.com/2009/01/18/sekonics-camera-calibration/</link>
		<comments>http://www.dphotoexpert.com/2009/01/18/sekonics-camera-calibration/#comments</comments>
		<pubDate>Sun, 18 Jan 2009 17:38:13 +0000</pubDate>
		<dc:creator>David Kilpatrick</dc:creator>
				<category><![CDATA[Studio Lighting]]></category>
		<category><![CDATA[Tests / Reviews]]></category>
		<category><![CDATA[ambient]]></category>
		<category><![CDATA[calibration]]></category>
		<category><![CDATA[contrast]]></category>
		<category><![CDATA[DSLR]]></category>
		<category><![CDATA[EI]]></category>
		<category><![CDATA[exposure]]></category>
		<category><![CDATA[flashmeter]]></category>
		<category><![CDATA[ISO]]></category>
		<category><![CDATA[L-758D]]></category>
		<category><![CDATA[light]]></category>
		<category><![CDATA[meter]]></category>
		<category><![CDATA[metering]]></category>
		<category><![CDATA[Sekonic]]></category>
		<category><![CDATA[sensor]]></category>
		<category><![CDATA[speed]]></category>

		<guid isPermaLink="false">http://www.dphotoexpert.com/?p=320</guid>
		<description><![CDATA[The Sekonic Digitalmaster L-758D meter offers the solution to variable ISO/EI ratings, and apparent sensitivity and contrast curves variations found in DSLRs. With a USB interface to link it up to a PC/Mac calibration program, the L-758D can remember three different cameras, two types of lighting (ambient or flash) and two measuring methods (incident or [...]]]></description>
		<wfw:commentRss>http://www.dphotoexpert.com/2009/01/18/sekonics-camera-calibration/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Canon EOS 5D MkII, Nikon D3X, and Sony Alpha 900 compared</title>
		<link>http://www.dphotoexpert.com/2009/01/09/canon-eos-5d-mkii-nikon-d3x-and-sony-alpha-900-compared/</link>
		<comments>http://www.dphotoexpert.com/2009/01/09/canon-eos-5d-mkii-nikon-d3x-and-sony-alpha-900-compared/#comments</comments>
		<pubDate>Fri, 09 Jan 2009 02:11:55 +0000</pubDate>
		<dc:creator>David Kilpatrick</dc:creator>
				<category><![CDATA[Tests / Reviews]]></category>
		<category><![CDATA[5D MkII]]></category>
		<category><![CDATA[5DMkII]]></category>
		<category><![CDATA[A900]]></category>
		<category><![CDATA[Alpha]]></category>
		<category><![CDATA[Alpha 900]]></category>
		<category><![CDATA[Canon]]></category>
		<category><![CDATA[D3X]]></category>
		<category><![CDATA[EOS]]></category>
		<category><![CDATA[Nikon]]></category>
		<category><![CDATA[Sony]]></category>

		<guid isPermaLink="false">http://www.dphotoexpert.com/?p=314</guid>
		<description><![CDATA[This set of full size shots was taken with the still life left set up, because the Nikon and Canon cameras were not here at the same time. The report originally appeared in December 2008 on photoclubalpha. It compares the A900, 5DMkII and D3X using the converters supplied by the makers &#8211; Image Data Converter [...]]]></description>
		<wfw:commentRss>http://www.dphotoexpert.com/2009/01/09/canon-eos-5d-mkii-nikon-d3x-and-sony-alpha-900-compared/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Full frame demands inclined planes</title>
		<link>http://www.dphotoexpert.com/2008/12/16/full-frame-demands-inclined-planes/</link>
		<comments>http://www.dphotoexpert.com/2008/12/16/full-frame-demands-inclined-planes/#comments</comments>
		<pubDate>Mon, 15 Dec 2008 23:03:12 +0000</pubDate>
		<dc:creator>David Kilpatrick</dc:creator>
				<category><![CDATA[Techniques]]></category>
		<category><![CDATA[Tests / Reviews]]></category>
		<category><![CDATA[angle]]></category>
		<category><![CDATA[ARAX]]></category>
		<category><![CDATA[Arsat]]></category>
		<category><![CDATA[control]]></category>
		<category><![CDATA[depth of field]]></category>
		<category><![CDATA[Flektogon]]></category>
		<category><![CDATA[focus]]></category>
		<category><![CDATA[Hartblei]]></category>
		<category><![CDATA[incline]]></category>
		<category><![CDATA[Nikkor]]></category>
		<category><![CDATA[Nikon DX3]]></category>
		<category><![CDATA[PC]]></category>
		<category><![CDATA[PC-E]]></category>
		<category><![CDATA[Pentacon]]></category>
		<category><![CDATA[perspective]]></category>
		<category><![CDATA[plane]]></category>
		<category><![CDATA[Scheimpflug]]></category>
		<category><![CDATA[shift]]></category>
		<category><![CDATA[Sony Alpha 900]]></category>
		<category><![CDATA[tilt]]></category>
		<category><![CDATA[tilt-shift]]></category>
		<category><![CDATA[TS]]></category>

		<guid isPermaLink="false">http://www.dphotoexpert.com/?p=306</guid>
		<description><![CDATA[After just a short while working with full frame, high resolution DSLRs the need for tilt lenses has really come home to me. Most lenses deliver their best results at fairly wide apertures like f8, it&#8217;s easy for detail to begin to look soft and lacking impact if you are forced to stop down to [...]]]></description>
		<wfw:commentRss>http://www.dphotoexpert.com/2008/12/16/full-frame-demands-inclined-planes/feed/</wfw:commentRss>
		<slash:comments>3</slash:comments>
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